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‘Elegy for Jerry’ By Robert Hunter Jerry, my friend, you’ve done it again, even in your silence the familiar pressure comes to bear, demanding I pull words from the air with only this morning and part of the afternoon to compose an ode worthy of one so particular about every turn of phrase, demanding it hit home in a thousand ways before making it his own, and this I can’t do alone. Now that the singer is gone, where shall I go for the song? Without your melody and taste to lend an attitude of grace a lyric is an orphan thing, a hive with neither honey’s taste nor power to truly sting. What choice have I but to dare and call your muse who thought to rest out of the thin blue air that out of the field of shared time, a line or two might chance to shine — As ever when we called, in hope if not in words, the muse descends. How should she desert us now? Scars of battle on her brow, bedraggled feathers on her wings, and yet she sings, she sings! May she bear thee to thy rest, the ancient bower of flowers beyond the solitude of days, the tyranny of hours– the wreath of shining laurel lie upon your shaggy head bestowing power to play the lyre to legions of the dead If some part of that music is heard in deepest dream, or on some breeze of Summer a snatch of golden theme, we’ll know you live inside us with love that never parts our good old Jack O’Diamonds become the King of Hearts. I feel your silent laughter at sentiments so bold that dare to step across the line to tell what must be told, so I’ll just say I love you, which I never said before and let it go at that old friend the rest you may ignore.

Hey, Jerry-- what's happening? I caught your funeral. Weird. Big Steve was good. And Grissman. Sweet sounds. But what really stood out -- stands out -- is the thundering silence, the lack, the absence of that golden Garcia lead line, of that familiar slick lick with the uptwist at the end, that merry snake twining through the woodpile, flickering in and out of the loosely stacked chords...a wriggling mystery, bright and slick as fire... suddenly gone. And the silence left in its wake was-- is-- positively ear-splitting. Now they want me to say something about that absence, Jer.Tell some backstage story, share some poigniant reminescence. But I have to tell you, man: I find myself considerably disinclined. I mean, why go against the grain of such an eloquent silence? I remember standing out in the pearly early dawn after the Muir Beach Acid Test, leaning on the top rail of a driftwood fence with you and Lesh and Babbs, watching the world light up, talking about our glorious futures. The gig had been semi-successful and the air was full of exulted antasies. Babbs whacks Phil on the back. "Just like the big time, huh Phil." "It is! It is the big time! Why, we could cut a chart-busting record to-fucking-morrow!" I was even more optimistic. "Hey, we taped tonight's show. We could release a record tomorrow. "Yeah right--" (holding up that digitally challenged hand the way you did when you wanted to call attention to the truth or the lack thereof) "--and a year from tomorrow be recording a Things Go Better With Coke commercial." You could be a sharp-tongued popper-of-balloons shit-head when you were so inclined, you know. A real bastard. You were the sworn enemy of hot air and commercials, however righteous the cause or lucrative the product. Nobody ever heard you use that microphone as a pulpit. No anti-war rants, no hymns to peace. No odes to the trees and All things Organic. No ego-deaths or born-againnesses. No devils denounced no gurus glorified. No dogmatic howlings that I ever caught wind of. In fact, your steadfast denial of dogma was as close as you ever came to having a creed. And to the very end, Old Timer, you were true to that creed. No commercials. No trendy spins. No bayings of belief. And if you did have any dogma you surely kept it tied up under the back porch where a smelly old hound belongs. I guess that's what I mean about a loud silence. Like Michaelangelo said about sculpting, "The statue exists inside the block of marble. All you have to do is chip away the stone you don't need." You were always chipping away at the superficial. It was the false notes you didn't play that kept that lead line so golden pure. It was the words you didn't sing. So this is what we are left with, Jerry: this golden silence. It rings on and on without any hint of let up...on and on. And I expect it will still be ringing years from now. Because you're still not playing falsely. Because you're still not singing Things Go Better With Coke. Ever your friend, Keez